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Piranesi: Enter a World both Mysterious and Known

Susanna Clarke’s Piranesi introduces readers to a word both mysterious and familiar as she weaves a spell of urgent discovery wrought with lyrical wonder.

Fantasy

Mystery

Winner of the Women’s Prize for Fiction 2021

Travel to…

An imagined world within a vast House

In Piranesi by Susanna Clarke, Piranesi lives in a grand House where the lower floors crash with the tides and clouds coalesce among the vast upper floors. Each room and hall and staircase is beset with statues tucked in alcoves and birds nesting in the carven forms.

Piranesi does not inhabit the House alone. There is also The Other–who named Piranesi. Piranesi aids The Other, who searches for A Great and and Secret Knowledge, by cataloguing the halls and the activity within them, for no one knows the House like Piranesi.

But when The Other warns Piranesi of a Third who wanders the House, a person who wants to hurt Piranesi and the Other, everything Piranesi thought he knew of the house, The Other, and himself comes into question.

“In my mind are all the tides, their seasons, their ebbs and their flows. In my mind are all the halls, the endless procession of them, the intricate pathways.”

Piranesi

What I Loved

The House

The House is beautifully manifested through rich description and Piranesi’s analytical mind. As an observer, he catalogues everything from the rhythms of the many tides to the birds that roost in the halls. While the numbers that help Piranesi explain the House (the Twelfth Vestibule, Nineteenth South-Eastern Hall, the One-Hundred-and-Twenty-Second Western Hall) all blur together, the essence of the house–it’s vastness, it’s reason through seeming chaos, it’s beauty–is easily conveyed.

The Connection to Nature

Piranesi’s link with his surroundings, with nature, stands in stark contrast to The Other, who seems to fear the House. Though the House is not our world, the symbiosis of Piranesi’s life linked to nature (Piranesi’s awe and respect and understanding of nature) is lyrically compelling, as are the vast spaces of the House. The bones of the House, of the world, are portrayed with the regal beauty of a stark and artful mansion (I think of the Munich Residenz), yet also as something slowly being reclaimed by nature. The dichotomy of the images doesn’t clash, however, but instead is beautifully and peacefully enchanting.

Final Thoughts

“May your Paths be safe, your Floors unbroken and may the House fill your eyes with Beauty.”

Piranesi

Read Piranesi for a experience both beautiful and lyrical, and wrought with slowing growing tension.

The characters in Clarke’s novel are fully formed and convincingly motivated, and the story unfolds with natural pacing, dropping hints and clues at a steadily increasing pace. Some of the clues are such that Piranesi begins to take notice, while others form a picture for the reader that Piranesi, as a creature of the House, cannot yet understand.

At the end of the end of the novel, I was left with a sense of soft wonder, picking through the pieces to parse together what the book meant to me, but most of all enjoying the brief opportunity to enter Piranesi’s curious mind.

“I study what has been forgotten. I divine what has disappeared utterly. I work with absences, with silences, with curious gaps between things.”

Piranesi

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